Mirror Mirror on the wall, who is the prettiest of them all? In an industry filled with pretty faces, actress Amrita Rao surely stands out as the prettiest actress in tinsel town.
Her sweet girl-next-door act in ‘Ishq Vishk’ won her a million fans and her funky avatar in ‘Main Hoon Naa’ pleasantly surprised many. Yet it was Sooraj Barjatya’s ‘Vivah’ after which no one doubted her acting prowess. Last seen in a cameo in ‘Shaurya’, Amrita is now all excited about her next release – ‘Welcome to Sajjanpur’.
The extremely pretty Amrita talks about her experiences working on ‘Welcome to Sajjanpur’, her equation with her co-stars and also reveals her future course of action.
Q. After a sensitive cameo act in ‘Shaurya’, you are back doing a lighthearted film like ‘Welcome to Sajjanpur’. How does it feel?
I am super duper excited (laughs). Being a part of a Shyam Benegal movie was actually a high point for me when I first read the script. He is somebody who is liked and revered by everyone in my community. In fact, not many people know that we belong to same community and we speak the same language (Konkani). So, people like Girsh Karnad, Ananth Nag, and Shyam Benegal have always been looked upon by our community. Then of course I happened to see ‘Zubeidaa’ when I was studying and that is one film that I still count as one of my favorite films. So when Shyamji called me for this role, I didn’t ask him any questions and I just said yes to the film. Because, I so wanted to be on board under his direction.
Q. Did you ever ask him why did he think of you for this role?
I did ask him and he said that he had seen me in ‘Vivah’ and felt that I most appropriately suited the role in terms of look and age and all that he was looking for. So yes…I got lucky (laughs).
Q. What is the film all about?
The film is a fascinating story of the people living in this village called Sajjanpur. Mahadev (Shreyas Talpade) is the protagonist of the film and he’s the common factor amongst all the characters in the film. He is the only literate guy in the village and everybody comes to him to write their letters. Apart from being a light hearted comedy, the film is a satire to some extent. We are supposed to play ourselves. Nobody is trying too hard to be funny or resorting to slapstick comedy. The village Sajjanpur is full of mad-hatters and we want people to come and forget their own world come into this small village and have fun with us (laughs).
Q. The film was earlier called ‘Mahadev Ka Sajjanpur’. Why did the title change to ‘Welcome to Sajjanpur’?
‘Mahadev Ka Sajjanpur’ is a title you might like after you have seen the film and you’ve fallen in love with the characters. Only then you would connect with the title ‘Mahadev Ka Sajjanpur’. But ‘Welcome to Sajjanpur’ for the lay person is more inviting and welcoming.
Q. You are playing a village belle for the first time. Tell us something more about your character?
I play Kamla in the film. Like I said, Kamla is illiterate and cannot read or write. She plays a potter and it’s a very rustic, earthy, rural Indian character. Sajjanpur is her world, she cannot see beyond Sajjanpur because she has never ventured out. She comes to Mahadev to write her letters and of course hilarious situation revolve around it.
Q. How easy or difficult was it getting into the skin of the character?
There were aspects to my character that were not that difficult while some aspects were indeed challenging. For e.g. the costumes worn by my character Kamla in the film are extremely earthy and authentic. Pia Benegal has worked on the costumes and she worked very meticulously. I had to work on getting the dialect right. We speak Bagelkhandi in the film which is a dialect from North India. It’s a different dialect of Hindi just like Bihari or Bhojpuri or Haryani. We had Ashok Mishra, who has written the dialogues and screenplay of the film, and is actually from that district, assisting us in getting the dialect right. It was an amazing experience speaking the language and very different from the usual, routine stuff.
Q. You are paired with Shreyas Talpade for the first time? How was the experience working with him?
Shreyas and I bonded well throughout the making of the film. In fact, I remember, the first time I saw Shreyas was on the sets of ‘Om Shanti Om’. Farah knew that I was supposed to work with him and she called him into the van and he came in his old man get up. That was my first glimpse of Shreyas Talpade (laughs). After that we had a couple of workshops with Mr. Shyam Benegal, which is when I started to get to know Shreyas better. Post that, on the sets, when I saw Shreyas working, he was completely into his character Mahadev. He was not only effortless with his dialogue delivery but was also improvising on the dialect. I got very impressed and I felt that I should work very hard on my lines too (laughs).
Q. Did he play any pranks on you as he is known to be a prankster?
There were no pranks as such but he is innately funny. He has this subtle sense of humor and because of that the scenes in the film are so funny. We were constantly improvising and he used to always come up with such funny additions that we couldn’t stop laughing. It was indeed a really nice experience.
Q. So where all have you shot this film?
We’ve shot almost the whole film at Ramoji Film City in Hyderabad. We had recreated the whole village in a set. The art director has done a fabulous job.
Q. ‘Welcome to Sajjanpur’ is directed by one of the finest directors of our country, Shyam Benegal. In fact not many actresses get a chance to work with a legend like him, so how has it been working with him?
Mr. Benegal is someone whom I have always looked up to and admired. In fact the very name Mr. Shyam Benegal comes with certain pre-conceived notions such as an art-filmmaker or a filmmaker who only makes serious films. But I don’t think that is true. I have always perceived Shyam Benegal as somebody who was ahead of his time, somebody who made wholesome cinema, which had profound actors with great scope for performances. Each of his films touched upon a new topic. In fact, I think 20 years ago, during his time everybody was adopting a safe & commercial formula. He swam against the tide, and made films, which 20 years later, today the young filmmakers are trying to achieve. Today when I work with a Shyam Benegal, I don’t see it any different from working with a contemporary young director. He may be vastly experienced, but is still young and contemporary in his outlook. He doesn’t believe in wasting time on the sets and is thorough with his homework. He also gives his actors the scope to improvise which makes the whole experience all the more enjoyable.
Q. Have you been a fan of his films? Which is your favorite?
Of course…Like I said…I loved ‘Zubeidaa’. I loved ‘Mandi’; ‘Junoon’ was a nice film, ‘Kalyug’ was good too and ‘Ankur’ his debut film as a director too is one of my favorites.
Q. Do you think a film like ‘Welcome to Sajjanpur’ would appeal mainly to the people in smaller towns and interiors or will it find an audience even amongst the urban multiplex going public?
I think it’s a film that will be liked by everybody. The multiplex audiences are going to love the film and at the same time even the masses in the smaller towns are also going to adore the film. At least that’s what we are hoping. It’s a very normal, relatable, attractive, fun film presented in a contemporary fashion.
Q. Lastly give us three good reasons to watch ‘Welcome to Sajjanpur’.
One because I am there in it, two because it’s a Shyam Benegal film and finally because it’s great film (laughs)
